Downstage, facing the audience, a woman waits on a bed. Upstage, in large-scale projection, a sequence-shot of a woman facing the sea. In the shadows, at the back of the stage, we make out a third woman sitting down. These three women are waiting, occupying different levels of a same tableau that evolves imperceptibly over the course of hours. To this is added a soundtrack played live, as well as words (Those of Racine? Those of the performers?) that appear here and there on the screen. The fruit of a research process into the space and temporality of classical tragedy, this performative installation is experienced in real time as the span of a last day. A space-time onto which the audience can project their own expectations, desires and fantasies…