Alexandra Bachzetsis, Cullberg
Exposure
danse
- 1h30
- F Hearing-impaired spectators welcome
- G Hearing loops
- A Little or no text
- B Accessible to persons with reduced mobility
Coproductions: Gessnerallee, Zürich, Kaserne, Basel, Arsenic - Centre d’art scénique contemporain, Lausanne
Soutiens: Pro Helvetia, the Swiss Art Council, Kanton Zürich, City of Zürich.
Exposure is an affective study of the nude, by the Swiss / Greek choreographer Alexandra Bachzetsis in collaboration with Cullberg. As a choreographer and visual artist Alexandra Bachzetsis has frequently examined the choreographic strategies of the body and how culture provides source material for our gestures, expressions and commodification of fantasy.
In Exposure she’s addressing the stereotypical representation of the body within pop culture, fashion, art and media. This act study, Exposure, reveals elements for performance in endurance, transforming static concepts of power into an empowering language of intimacy.
By constantly shifting the perspective, through the mediation of the body in close up on camera in the space, Bachzetsis creates a parallel reality where our internalized images of the body can find room to dissolve and get liberated.
Cullberg is the national and international repertoire contemporary dance company in Sweden, continuously co-creating to make contemporary dance relevant for the many. Together with choreographers and their teams from around the world, we are exploring ideas on how dance can be defined, produced, and presented. Those explorations are the pillars of a company that is constantly in motion at the heart of the international arena. The core of the company consists of 17 extraordinary individual dancers with a central role in the creations. Cullberg is led by artistic director Kristine Slettevold and managing director Stina Dahlström and the institution is a part of Riksteatern, The Swedish National Touring Theatre.
Alexandra Bachzetsis is a choreographer and visual artist who lives and works in Zurich. Her artistic practice is located at the interface between dance, performance, visual art and theatre. Many of her works are concerned with choreographies of the body and in particular with the ways in which we appropriate gestures, modes of expression, patterns of identification and fantasies from popular culture as we constantly reinvent and define our bodies. Bachzetsis is interested in the reciprocal influence of ‘popular commercial’ media (social media, video clips and television) and ‘art’ (ballet, modern and contemporary dance, performance and visual art).