©Aurélien Patouillard

Aurélien Patouillard (CH)

FARWEST

Théâtre | Spectacle tout public (dès 6 ans) | Librement adapté de Farwest de Peter Elliott & Kitty Crowther

  • 60’
  • G Hearing loops
  • E Partially-sighted spectators welcome
  • H Représentation Relax
  • B Accessible to persons with reduced mobility

Librement adapté du livre Farwest de Kitty Crowther et Peter Elliot. Mise en scène: Aurélien Patouillard. Avec: Marion Duval, Fiamma Camesi, Cecile Druet, Gabriel Arellano. Composition: Louis Schild. Arrangements, oreille extérieur et synthétiseurs: Marcin de Morsier. Prise de son, mixage et master: Antoine Etter. Interprétation: LEON et l'ensemBle baBel – Laurent Estoppey (saxophones), Anne Gillot (flûtes, clarinette basse), Noelle Reymond (contrebasse), Luc Muller (batterie), David Meier (batterie), Antoine Läng (voix, guimbarde), Raphael Ortis (basse). Antonio Albanese (guitare), Louis Schild (basse, harmonium) ainsi que Antoine Françoise (piano). Lumières: Florian Leduc. Costumes: Severine Besson. Scénographie: Diane Blondeau. Collaboration artistique: Marine Brosse. Collaboration musicale: Louis Bonard. Dramaturgie: Delphine Abrecht. Régie: Bruno Robyr. Stagiaire: Assia Ermolova. Illustration single: Sarah André. Chargé de diffusion: Anthony Revillard. Production: Michael Scheuplein. Remerciements: Rédouane Reys, Florence Robins, Lamine Kebba Conteh, Maxine Reys, Mathilde Krahenbuhl, Estelle Heussi, Inès Marquès, Nina Merchi, Atelier du Simplon, La Neomartine, Cedric Simon. Coproduction: Zoothéâtre - Zooscope productions, Arsenic – Centre d'art scénique contemporain, NOF. Soutiens: Ville de lausanne, St Gervais, Loterie Romande, Suisa, Fondation Leenaards, FEEIG.





Move your feet, lose your seat! That morning, the weather was fine. I announced: I’m going hunting! And I went out, greeting Jeff and Jim on the way, followed by my dog Jonas. Back at the house, I pushed open the door. Someone had taken my seat! It wasn’t easy, I had to get used to it. But in the end, he was nice. Basically, I had lost my seat, but I had plenty of room…

This story, which resembles a game of musical chairs, is about giving up a part of one’s life to unknown characters without disappearing. It is going to be about hunting, and about fantastic and surprising wide-open spaces! It will also be a question of coming face to face with someone who has taken your seat…
In a family, these themes could allude to the arrival of another child; in society, they could evoke our capacity to welcome newcomers or even to find our rightful place between human and non-human. Farwest is a playful analysis of the processes that can lead to discomfort, even fear, but also to the joy of creating new relationships and taking advantage of differences in perspective to challenge ourselves.