© Gregory Batardon
© Gregory Batardon
© Gregory Batardon
© Gregory Batardon

Marie-Caroline Hominal

Numero 0 / Scene III

danse

  • 1h
  • B Accessible to persons with reduced mobility

direction artistique, conception et chorégraphie: Marie-Caroline Hominal. Performance et danse: Jade Albasini, Alexandre Bibia, Natan Bouzy, Beatriz Coelho, Marcus Diallo, Anaïs Glérant, Marie-Caroline Hominal, Lola Kervroëdan, Akané Nussbaum, David Zagari. Performance et musique: Salomon Asaro Baneck, Simone Aubert, Alexandra Bellon. Espace et costume: Anynymous. Lumière: Victor Roy. Assistant·e et répétiteurice: Lia Beuchat. Direction technique: Julien Malfilatre.

Created by the choreographer and performer Marie-Caroline Hominal, this show is part of a series. Following NUMERO 0 / scène I and NUMERO 0 / scène II, she explores concepts of movement, energy and deconstructs traditional choreographies.

This experimental creation uses dance, theater and art installation to create a decrescendo energy. It goes from dazzling to dreamy. This energy throughout the team, through the use of short and repetitive choreographic sequences. The central image is an open-air movie studio, with stage microphones spread all over the stage. Through the use of short formats, such as teasers and social media stories, several different stories are produced at the same time.

With an approach that defies expectations, the audience is involved, immersed and active in an experimental creation.

 

Marie-Caroline Hominal lives and works in Geneva. She studied dance at the TanzAkademie ZHDK in Zürich followed by the London Rambert School of Ballet and Contemporary Dance. There she was part of the National Youth Dance Company for one year. She dances for Irène Tassembedo, Le Theater – Basel, Gisèle Vienne, Gilles Jobin, La Ribot, Marco Berrettini. Her personal projects started in 2002 around video, taking a decisive turn to choreography starting in 2008 with Fly Girl. In this solo, the dancer went from representations of sexuality to violence in a game of provocations multiplying identities. Since then, she shapes her work on their themes and circumstances. They all take part of the same universe. A baroque world in which identities become blurred and the tragic and comic merge, sometimes dark, sometimes eccentric, sometimes melancholic. Today her artistic practice includes text, drawing, performance, choreography and video.